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O somma luce

O somma luce

主演:
Giorgio Passerone  
備注:
HD
擴展:
短片 劇情 
點擊:
加載中...人正在觀看
地區(qū):
法國
導(dǎo)演:
讓-馬里·斯特勞布   
年代:
2010 
更新:
2026-02-10
語言:
其它
劇情:
  轉(zhuǎn)自:http://www.filmlinc.com/n 詳細(xì)
  • 劇集觀看
DPlayer-H5播放器
《O somma luce》劇情簡介
  轉(zhuǎn)自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub  “The end of paradise on earth.”—Jean-Marie Straub  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.  The mise en scène of what words exactly?  The process of revealing, “phainestai” “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.  Is “Straubie” Greece?  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
《O somma luce》常見問題

1、請問哪個平臺可以免費在線觀看《O somma luce》?

虛映影視網(wǎng)友:在線觀看地址:http://m.jsongde.com/watch/69609-1-1.html

2、哪些演員主演的?

網(wǎng)友:主演有Giorgio Passerone

3、是什么時候上映/什么時候開播的?

網(wǎng)友:2010 年,詳細(xì)日期也可以去百度百科查詢。

4、如果播放卡頓怎么辦?

百度貼吧網(wǎng)友:播放頁面卡頓可以刷新網(wǎng)頁或者更換播放源。

5、手機版免費在線點播哪些網(wǎng)站還有資源?

網(wǎng)友:芒果TV、愛奇藝優(yōu)酷視頻、百度視頻

6、《O somma luce》的評價:

豆瓣電影網(wǎng)友:觀感太割裂了,一邊頻頻被視覺設(shè)計上的創(chuàng)意驚艷到,一邊又不知道導(dǎo)演在吃力地表達(dá)什么!首先要說明一點,拋開所有片外因素,這部片子我看得很爽。

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