備注：已完結
類型：恐怖片
主演：茱莉亞·維尼瓦-納基維奇 Wiktoria Gasiewska 米洛斯
語言：其它
年代：未知
簡介： 講述了一群沉迷于科技的年輕人參加了一個森林里的改造營，但那里的邪惡力量打算讓他們從此無法上線
備注：已完結
類型：恐怖片
主演：奧拉夫·盧巴申科 Piotr Zurawski 塞巴斯蒂安·斯坦齊維茲
語言：其它
年代：未知
簡介： In a monastery cult off from the world, the monks run a clinic for the possessed. One day, a young policeman Marek comes to the convent. Posing as a clergyman, he penetrates monastic life and tries to explain the recent, mysterious disappearance of several tormented inmates. It turns out, however, that there is no way out of the monastery .
備注：已完結
類型：歐美劇
主演：大衛(wèi)·哈塞爾霍夫 愛德華·馬哈爾 理查德·貝斯哈特 帕特里夏·麥克弗森
導演：Winrich Kolbe Georg Fenady Sidney Hayers Bernard L. Kowalski Harvey S. Laidman Jeffrey Hayden
語言：英語
年代：未知
簡介： A lone crimefighter battles the forces of evil with the help of an indestructible and artificially intelligent supercar.
備注：已完結
類型：歐美劇
主演：Steven Hill Greg Morris Peter Lupus
語言：英語
年代：未知
簡介：This 7-year series chronicled the adventures of the Impossible Mission Taskforce (IMF), a team of government spies and specialists who were assigned "impossible missions" by the unseen "Secretary". Although the cast varied over the years, the main characters included The Team Leader (Dan Briggs the first season, then Jim Phelps the other six), The Techno-Wizard (Barney Collier), The Strongman (Willy Armitage), The Master of Disguise (first Rollin Hand, then The Amazing Paris), and The Femme Fatale (Cinnamon Carter, Casey, Dana Lambert, Mimi Davis). The series is best known for its opening mission assignment (conducted by a pre-recorded tape), the theme composed by Lalo Schifrin, the leader's selection of mission agents from a dossier, the opening briefing, the intricate use of disguises and a typical "mask pulloff" scene near the end of most episodes, and the relative lack of characterization of the characters.
備注：已完結
類型：恐怖片
主演：Maciej Damiecki Zdzislaw Wardejn Wl
語言：其它
年代：未知
簡介： Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
