溫馨提示：歡迎訪問(wèn)
請(qǐng)記住網(wǎng)址：m.jsongde.com，感謝網(wǎng)友的支持！提供最新高清電影熱播電視劇在線觀看，為廣大用戶免費(fèi)提供在線觀看電影和電視劇服務(wù)。
備注：已完結(jié)
類型：歐美劇
主演：喬納森·米奇爾斯 珍妮弗·海倫 弗洛爾·范·斯瓦倫 Yu-Hsiang
導(dǎo)演：Stijn Van Kerkhoven
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：26 歲的奧托自以為人生盡在掌握。當(dāng)初戀男友鮑里斯突然分手，摯友倫特又離開(kāi)了他們心愛(ài)的布魯塞爾城，他陷入前所未有的迷茫。于是他用露水情緣填補(bǔ)內(nèi)心空洞，開(kāi)始在這座活力四射的布魯塞爾酷兒圈尋找自我定位。揣著網(wǎng)絡(luò)虛擬人格的他，一頭扎進(jìn)充斥著午夜狂歡、同志酒吧與身份探索的奇幻世界。
備注：已完結(jié)
類型：劇情片
主演：Joachim Bissmeier Frank Jordan Jim
導(dǎo)演：Michael Kennedy Stefan Klisch
語(yǔ)言：德語(yǔ)
年代：未知
簡(jiǎn)介： 驚險(xiǎn)刺激的空中勇士故事將搬上螢?zāi)唬瑸榱撕葱l(wèi)國(guó)家，不惜危險(xiǎn)在空中追逐敵人，冒 險(xiǎn)犯難的鏡頭及感人肺腑的情節(jié)，將帶給觀眾完全不同的視聽(tīng)享受。此片為近年來(lái)罕 見(jiàn)的大卡司、高成本制作，場(chǎng)面浩大，絕不冷場(chǎng)，被評(píng)為動(dòng)作片中的極品。
備注：已完結(jié)
類型：動(dòng)作片
主演：Paul John Stanners Anthony Alonzo F
導(dǎo)演：何志強(qiáng)
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：
備注：已完結(jié)
類型：喜劇片
主演：芭芭拉·斯坦威克 弗萊德·麥克莫瑞 比尤拉·邦蒂 伊麗莎白·帕特森 威
導(dǎo)演：米切爾·萊森
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： Just before Christmas, Lee Leander is caught shoplifting. It is her third offense. She is prosecuted by John Sargent. He postpones the trial because it is hard to get a conviction at Christmas time. But he feels sorry for her and arranges for her bail, and ends up taking her home to his mother for Christmas. Surrounded by a loving family (in stark contrast to Lee's own family background) they fall in love. This creates a new problem: how do they handle the upcoming trial?
備注：已完結(jié)
類型：喜劇片
主演：湯姆·漢克斯 達(dá)布尼·柯?tīng)柭?/a> 洛里·辛格 查爾斯·德恩 凱麗·費(fèi)雪 愛(ài)
導(dǎo)演：斯坦·瑞格帝
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： 本片是湯姆漢克斯早期作品，改編自法國(guó)喜劇片《大驚奇》。湯姆漢克斯飾演一名小提琴家，被同在樂(lè)團(tuán)服務(wù)的朋友作弄以致穿著一只紅鞋出現(xiàn)在機(jī)場(chǎng)，卻因這個(gè)「怪異的舉動(dòng)」被數(shù)國(guó)情報(bào)局當(dāng)成目標(biāo)，大家在他背后暗自盤算了許多策略，卻都意外地沒(méi)對(duì)他造成傷害，反而還使他和美麗的女情報(bào)員因此墜入情網(wǎng)。此時(shí)一直和他暗通款曲的友人之妻想盡辦法要和他偷情，讓友人也被牽連進(jìn)復(fù)雜的情形中.....
備注：已完結(jié)
類型：歐美劇
主演：達(dá)芙妮·基恩 詹姆斯·麥卡沃伊 阿米爾·威爾森 露絲·威爾森 林-曼努
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： 該劇改編自菲利普·普爾曼同名奇幻三部曲小說(shuō)，故事圍繞小孤女萊拉在平行宇宙中的冒險(xiǎn)經(jīng)歷展開(kāi)。
備注：已完結(jié)
類型：愛(ài)情片
主演：弗雷德里克·馬奇 伊夫琳·維納布爾 蓋伊·斯坦丁 凱瑟琳·亞歷山大 吉
導(dǎo)演：米切爾·萊森
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
