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備注：已完結(jié)
類(lèi)型：恐怖片
主演：Ryan Calavano Miranda Calderon Nadi
導(dǎo)演：Desmond Gumbs
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： 木屋里的消失冒險(xiǎn)
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Giselle van der Wiel Telen Rodwell
導(dǎo)演：Tim Boyle
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： A journalist goes in search of the truth after a series of brutal deaths and disappearances lead back to an urban legend about a serial killing clown that has stalked the woods of Century Park for over a hundred years.
備注：已完結(jié)
類(lèi)型：恐怖片
主演：大衛(wèi)·奧哈拉 內(nèi)爾·皮爾森 伊莎貝爾·艾倫 托亞·威爾考克斯 Tina
導(dǎo)演：Steve Stone
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： Alex擁有一切，高層高薪工作，在這個(gè)國(guó)家中的令人羨慕的房子和美麗的妻子以及孩子。當(dāng)一個(gè)周五他令人無(wú)法理解地早早地離開(kāi)工作，一切變得再也不一樣了。當(dāng)他返回家的幾個(gè)小時(shí)當(dāng)中，災(zāi)難性的風(fēng)暴 襲擊并摧毀他周?chē)囊磺?。?dāng)被隔離的時(shí)候，沒(méi)有電，沒(méi)有電話，他所愛(ài)的家庭陷入了噩夢(mèng)般的恐懼，暴力，以及威脅他們生存的現(xiàn)狀。在對(duì)過(guò)去和現(xiàn)實(shí)的迷惑之中，Alex和他的家人必須面對(duì)現(xiàn)實(shí)自然的事件—他們是真實(shí)的，還是想象？如果每個(gè)父母的噩夢(mèng)都發(fā)生在他們的身上會(huì)怎么樣？
備注：已完結(jié)
類(lèi)型：喜劇片
主演：凱蒂·布蘭德 Lee Latchford-Evans 羅伯特·波特爾
導(dǎo)演：Darren Berry
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： Old school friends go on a paintball trip, miles away from civilization. Things go horribly wrong when they discover a cold-blooded masked killer moxia.cc is among them. Now they must fight to survive their school reunion.
備注：已完結(jié)
類(lèi)型：恐怖片
主演：伊爾瑪茲·艾多甘 Cem Yi?it üzümo?lu Ahmet M
導(dǎo)演：Türkan Derya
語(yǔ)言：其它
年代：未知
簡(jiǎn)介： 即將晉升的警察局長(zhǎng)卷入一起致命事件，并發(fā)現(xiàn)了一個(gè)因怨恨而生、威脅到同事的陰謀。
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Flor Antonucci ?伊麗莎白·??卡薩諾瓦斯? Bruno
導(dǎo)演：Nicole Goode Carlota Martínez-Pereda Taz Pereyra Erica Scoggins Samantha Timms 勞雷爾·韋爾
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： A young nurse begins her shift at an old city hospital. After a strange apparition one of the oldest nurse tells her that a patient, Mr. Moore, entered the hospital a few years ago. His body was completely burned after a fire. Mr. Moore was operated urgently by the doctors. But no one wanted to assist him. The pain and drugs had driven him mad - One night one of the nurses went to his room but his bed was empty. Nothing was heard from him anymore. A bell interrupts the story. The call comes from Mr. Moore's room.
備注：已完結(jié)
類(lèi)型：恐怖片
導(dǎo)演：Mumtaz Yildirimlar
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： When Hannah's parents took her to a new school, they said it was to give her a new start. However, Hannah is 11, autistic, and due to her condition, unable to speak. She had a twin called Angel, but when Angel died, Hannah was forbidden to grieve by her abusive parents and punished when she sought comfort from her sister's things. Now Hannah lives locked inside a silent life of despair, which she fears will soon end at the hands of her parents. However, when a knife keeps appearing under her pillow, and a voice that she thinks is inside her head won't leave her alone, Hannah begins to realise that just maybe, she may have an ally not of this world, but fear paralyses her. Could it be Angel, who from the 'other side' has come to seek justice for all the abuse she has suffered? Can Hannah overcome her fear enough to let her in? - Written by Jane Alexandra Foster
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Esteban Prol Horacio Fontova Sergio
導(dǎo)演：Daniel de la Vega Pablo Parés
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
